20 November 2016

Missing the Magnetic Je Ne Sais Quoi

I’ll forever know 2016 as The Year of Silenced Voices. The  year we lost Bowie, Prince, Leonard Cohen, not to mention all manner of actors, writers, is broadcasters, will be the year we lost Miss Sharon Jones.

I know the whole Daptone Records thing is sometimes seen as retro at best and white hipster appropriation at worst. I heard the some of the same criticisms of the so-called “Young Lions” of jazz back in the ’80s, who made music that Miles called “warmed-over turkey.” But I always appreciated the Daptone vibe and the aesthetic, and Sharon Jones will always be at the forefront of that in my mind.

I watched – more importantly, heard – that vibe in action in 2011, when Sharon Jones & The Dap-Kings came to my neck of the woods. And after the show, I got to exchange words with Sharon and some of the other members of the band. I got to see firsthand what a true artistic collective looks like; how a group can make a single member’s voice shine and how that single member highlights the rest of the group. Sharon herself, of course, is one of the best examples I’ll ever encounter of someone who succeeds by fighting to do what she does, whether it’s ANR people’s perceptions or cancer. That, to me, was her magnetic je ne sais quoi.


Today's playlist: the whole SJDK catalog. Probably for the rest of the week too, I think.